The Rev. Jake Miles Joseph
Plymouth Congregational Church UCC of Fort Collins, CO
Noise, Gladness, Singing OR EveryDay Miracles (EDM)
Will you pray with me? May the words of my mouth and the meditations of all of our hearts be good and pleasing to you, O God, our rock, sometimes our rock band soundtrack, and our redeemer. Amen.
One of my favorite parts of attending a Methodist divinity program was the weekly chapel service: the noise, the singing, and the gladness of it all! Now, I was lucky because when I was at Emory it was a high point for that seminary as a place of music and noise. At that time, one of the heads of liturgy and music was Professor Don Saliers. Some of you may know of his daughter Emily, principle member of the Indigo Girls, who would sometimes appear in chapel as a surprise soloist! What made Emory’s chapel services great wasn’t only Rev. Dr. Saliers, Emily Saliers, or even the fact that every other seminarian (except for me) actually could sing really well, but that everyone sang with reckless abandon, conviction, and NOISE! This might have had more to do with Emory being a southern seminary more than a UMC seminary.
It was at my first chapel service that I discovered perhaps some of the theological rationale for this robust singing when I opened to the first pages of the red UMC hymnal and discovered John Wesley’s “Directions for Singing,” (which would be my reading during many a sermon for the next three years), and I have never been quite the same again. How many of you know what I am talking about? There are seven rules in total, and they vary from rules about singing in tune to keeping time and rhythm (basically… pay attention) to others about not turning yourself into a soloist in the midst of a congregational song, but by far my favorite two rules are numbers 3 and 4, which are as follows:
3. Sing All – see that you join the congregation as frequently as you can. Let not a slight degree of weakness or weariness hinder you. If it is a cross to you, take it up and you will find a blessing.
4. Sing Lustily – and with good courage. Beware of singing as if you were half-dead or half-asleep; but lift up your voice with strength. Be no more afraid of your voice now, nor more ashamed of its being heard, than when you sang the songs of Satan.
Setting aside that last part about the songs of Satan, John Wesley has a point! What are we so scared of? Is it the judgment of the person next to us? Is it the judgment of the music director? I promise Mark is nice guy. Is it the judgment of the choir? No, it is usually a lack of confidence in ourselves. Sing with good courage, Plymouth! What I love about what the Methodists have in the front of every hymnal is the reminder of what worship is all about. It is about not being dead (amen/praise God)! It is about being fully alive, embodied, and awake to what God is doing moving in our midst.
As Hal said last week in his sermon, quoting Irenaeus, “The glory of God is in a human being fully alive,” or as Wesley would say… please don’t sing as if you were half dead! Live life abundantly in each moment, especially when we are gathered in worship to praise God. Today’s Psalm is a classic and archetypical “Psalm of Praise!” This is the type of song, I see through reading the national news, that is most difficult for the UCC these days, and it is why we need to talk about it. We cannot because the denomination that only knows lament. Nobody want to join into that.
That is exactly what is happening today with Psalm 100, friends. This is a Psalm, a hymn, and a concert of praise at its very best: noise, gladness, and singing.
Scholars often describe the Psalms as ancient “hymns.” This gives us the unfortunate and false parallel to conveniently and comfortably think that the Psalms were used in a context that looked much like Plymouth. When we quietly sing Psalms or hymns, we feel like we are engaging the ancient. For my generation, and I bemoan this fact because I love hymns, the word hymn is often associated instinctively with something quiet, mumbled, spoken at memorial services and staid and quiet and sad. [Sing slowly while stomping foot in slow rhythm in the pulpit] “I went to the garden alone… while the dew was still on the roses”, and by the time the dew is on the roses you are asleep.
There is no passion, no noise, certainly no praise… and no heart in the word hymn anymore. Now before you jump to conclusions or stop listening, this doesn’t mean we should stop singing hymns (I love them), but we need to reclaim the passion of the Psalmist and bring back the fractured parts of our lives. The Sacred (on Sunday) and the Embodied (the rest of the week) should not be mutually exclusive.
100:1 Make a joyful noise to the LORD, all the earth.
100:2 Worship the LORD with gladness; come into his presence with singing.
100:3 Know that the LORD is God. It is he that made us, and we are his; we are his people, and the sheep of his pasture.
100:4 Enter his gates with thanksgiving, and his courts with praise. Give thanks to him, bless his name.
100:5 For the LORD is good; his steadfast love endures forever, and his faithfulness to all generations. [even the millennial]
Do we believe this radical statement about the universe and its meaning, church? Or is it just something we say at funerals and in bereavement seminars, church?
Verse 1: The word in Hebrew translated as, “Make a joyful noise,” is used 42 times in the Hebrew Bible. It is translated often as “shout, cry, scream, vocalize, raise a sound, give a blast…have a blast!” We are talking about embodied experience of being Christian not just acting like it on Sunday… and praising a God, a creator, beloved, giver, lover, essence, breath, sustainer, redeemer, healer.
It is completely in line with our Mission Statement here at Plymouth: “It is our mission to worship God [praise God] and help make God’s realm visible in the lives of people, individually and collectively, especially as it is set forth in the life, teachings, death, and living presence of Jesus Christ.”
The Psalms, in their ancient context, would have been used in the cultic, ritual, communal ceremonies and parties of the time that looked very little like our Sunday morning worship. In fact, they would have felt more like Red Rocks Concerts complete with the smoke effects coming from the offerings. Unlike today where we have created an artificial boundary between “high, church, sacred culture” on one hand and “low/ popular/ worldly culture” (a 19th Century Victorian distinction and construct we are still enduring today)—our lives lived on Sunday mornings on one hand and our lives lived singing at the top of our lungs in our cars on the highway on the other hand is false. It makes praise from the gut difficult or awkward. It is this artificial line and compartmentalization (in French Cartesian) that is killing the mainline churches. The worship settings where the Psalms were used were the concerts, the center, the pilgrimage, and the collective hope and aspiration settings—not ethical historical lectures.
Not only do we keep our church to ourselves proudly as Fort Collins’ “best kept secret,” but we also sometimes keep our passion for life and living and thereby our overwhelming praise for a God who makes all things possible a secret from ourselves…on Sundays.
This being the Sunday when Thanksgiving is now past, I want to ask a question. How many of you married, partnered, or have dated people whose families have different Thanksgiving traditions from your own? A ham instead of a turkey or perhaps lasagna? Vegetarian? Pickled watermelon? Stuffing vs. dressing in or outside of the turkey? Should Thanksgiving “dinner” be at lunchtime, midafternoon, or during the normal supper hour at night? Compromise and learning is a big part of being married. Amen? Aside from thanksgiving, this can also happen with music taste. While I am sort of a bluegrass guy, my husband is very much a fan of something called Electronic Dance Music or EDM. This is not a kind of music I have ever had a lot of tolerance for, but it matters a lot to him, so he will come with me to bluegrass concerts and folk music events… and I will go with him to his concerts. I do have a secret weapon though—these are earplugs [show congregation bag of earplugs used for concerts], because I need to hear you for my profession…even if I don’t always want to.
Aside from learning to appreciate a genre outside of my comfort zone, I have also learned something else. My generation has a lot of heart but not a lot of patience for BS! We are good, naturally connected to one another in some obstinate quiet hope. I have witnessed at Red Rocks 1000’s of young adults my age, many your doctors and lawyers and ministers (or soon will be), singing together. The lyrics are often about life, love, meaning, and even heaven. “Don’t forget about a thing called love.” “In your love I’ve built a home.” “We are all we need.” "On my way to heaven.” Like a spy in enemy territory who learns to love, I have witnessed that we in the church are trying to ignore what has happened for too long—cultural surgery of heart and soul, soul and mind, body and essence. We have forgotten, especially in the UCC, the language of praise in the midst of our lament for a world and a realm that we can’t control with even the best intellect. There is so much need for crying out together in joy and passion in this universe.
Radiohead, Jimi Hendrix, The Beatles, Daft Punk, The Colorado Symphony Orchestra, The Grateful Dead, John Denver, U2, Metallica, Rodrigo y Gabriella, Above and Beyond, Pretty Lights, Brandi Carlile, X Ambassadors can be messengers of good and have all played Red Rocks over the years. I think that Red Rocks might be the cultic center of Colorado that Psalm 100 refers to—it binds this place together in ways the churches haven’t managed to do yet.
But there is hope for the church yet to reclaim praise. I see evidence of it still:
When you are at Presbyterian gathering (General Assembly, etc.) and someone comes marching in with bagpipes—the frozen chosen… melt… and are suddenly transformed into embodied praises of God’s goodness over the hills and valleys of Scottish embodied, collective memory.
When you are at Plymouth on Easter morning and we get to the Halleluiah Chorus, we are all moved in the same way, choked-up, spirit-overcome that George the II of England was during its first performance when he was called to stand!
At Worship 3.0 [Sunday evenings] at Plymouth when we sing with passion the songs of Iona or Taizé, releasing our worry and looking up to heaven and singing the Celtic and ancient repetitions.
On this Christmas Eve, when we will sing in darkness… “Silent Night…[PAUSE] Holy Night [PAUSE]”—you know the feeling, right?
We don’t need to imitate the Evangelicals (some of the best and most embodied worship praise I have ever experienced have been Episcopal services) and change anything about our worship service to get there—we just need to remember our mission statement and the intent of the hymns and the Psalms and the call to sing as if we are indeed alive. We should bring our car singing, poetry reading, improve workshop, beer garden, rock concerts, conversations selves… whole selves to worship.
[Minister leaves pulpit and goes to the middle of the congregation asking everyone to please rise, as they are able and willing. Everyone stand looking to the middle, close eyes, singing together at full voice Amazing Grace verses 1, 2, and 3.]
Now, that was Thanksgiving! Amen!
 All of these are part of the Above and Beyond (http://www.aboveandbeyond.nu/about) label. Above and Beyond is a radio show and a collection of DJ’s in the EDM genre. All of this is new to me, and it is like learning a whole different language.
The Rev. Jake Miles Joseph ("just Jake"), Associate Minister, came to Plymouth in 2014 having served in the national setting of the UCC on the board of Justice & Witness Ministries, the Coalition for LGBT Concerns, and the Chairperson of the Council for Youth and Young Adult Ministries (CYYAM). Jake has a passion for ecumenical work and has worked in a wide variety of churches and traditions. Read more about him on our staff page.
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