![]() It is unofficially "Baroque Week" at Plymouth beginning this Reformation Sunday and extending into the October 28 Wednesday evening Vespers. Aided by the generous gift of a harpsichord for our chancel (thank you!) and cellist Heidi Mausbach, we'll experience the timeless music of Johann Sebastian Bach: the musical architect of the German Reformation. Bach composed three sonatas for the Viola de Gamba and harpsichord between 1730 and 1740 during his tenure at Thomaskirche, Leipzig. For the Prelude, the lively "Allegro moderato", the fourth and final movement from BWV 1027 in G major, will be offered. Cellist Heidi Mausbach steps in for the hoary Viola de Gamba in this delightfully joyful excerpt. One does not need to be a Bach connoisseur to recognize the Musical Offering this Sunday....just to have attended enough weddings! "Jesus bleibet meine Freude" (Jesus shall remain my joy), famously known as "Jesu, Joy of Man's Desiring," is originally a chorale movement from Cantata 147 "Herz und Mund und Tat und Leben" (Heart and mouth and deed and life). Based on a 1661 hymn tune, this chorale has been heard the world over in arrangements for a variety of instruments, choral settings, and even inclusion in hymnals. On Sunday, soprano Blair Carpenter presents a rendition in German with myself and Heidi accompanying. The works of Bach are revered, studied, and performed by musicians of all kinds. He wrote for everyone including for strings, wind instruments, brass, vocalists, and choirs. Think on the masterworks such as the Brandenburg Concertos, Mass in B Minor, and his numerous cantatas. But it was a special moment for Bach when he could compose for his primary instrument, the organ. The "Fantasia in G Minor, BWV 542" is technically a stand alone work but is often paired with the magnificent Fugue in G Minor. We'll hear the high Baroque drama of the Fantasia a la carte this Sunday....with no small allusion to Halloween as well. If I'm being honest.
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