Off into the Baroque on a path less traveled by.
A pastorale is a music form intended to convey nature—the pastures of shepherds and their flock. Though often associated with the Christmas season, we hear at the Prelude a sectional work in this style by Italian composer Domenico Zipoli (1688-1726.) Zipoli interestingly became a Jesuit missionary who spent his final years teaching and composing among the Guarani people in Peru.
The Musical Offering brings us to the French Baroque with the dance-like "Gavotte" by Jean-Philippe Rameau (1683-1764). A leading music theorist and composer for opera and harpsichord, this fanciful work for violin and keyboard is an excerpt from his 1745 opera-ballet, "Le Temple de la Gloire" (The Temple of Glory). Violinist Harmony Tucker joins.
Sending us out into the world is a Postlude technically not from the 18th century but composed in that idiom with faithful accuracy. Based on the German Easter hymn "Erschienen ist der herrlich Tag" (Appeared is the Splendid Day), this 19th century setting by Austrian composer Heinrich von Herzogenberg (1843-1900) employs common Baroque compositional techniques such as canon, imitation, and the use of the cantus firmus (i.e. the hymn tune) in the pedal. As a devotee and champion of J.S. Bach's music, the Master's influence is easily felt throughout this chorale prelude.
At the 6:00 p.m. service, bassist Peter Strening and cantor Blair Carpenter lead songs of the Good Shepherd and offer sounds of jazz and an inadvertent song of the Easter season by the band Coldplay.