Easter 5 (May 10, 2020)

By Joachim Neander - Joachim Neander: Glaub- und Liebes-Übung: Auffgemuntert durch Einfältige Bundes-Lieder und Danck-Psalmen, Wesel/Duisburg/Frankfurt 1686, S. 47+49, Public Domain, https://commons.wikimedia.org/w/index.php?curid=37964582

Wordless expressions of a blessed Christian community through ordered sound: music. An invocation. A hosannah. A hymn of praise.

"Nun bitten wir den Heiligen Geist" (We Now Implore the Holy Ghost) was composed by Martin Luther in 1524 and based on a well-known medieval leise (a 13th century vernacular church song). Numerous settings of this tune were  composed in the centuries to follow including this week's ornamented chorale prelude by Dietrich Buxtehude (1637-1707). An expressive invitation to the Holy Spirit as we enter worship.

Robert Borger plays Franz Liszt's heroic "Hosannah" (1862) scored for trombone and organ. Based on the chorale melody "Heilig ist Gott der Vater" (Holy is God the Father), the work is an instrumental setting of "Alleluja" from Liszt's large scale choral work "Cantico del sol Francesco d'Assisi." An acclamation of joy and triumph.

The hymn of praise "Lobe den Herren, den mächtigen König der Ehren" (Praise to the Lord, the Almighty) is a shared treasure across denominational lines the world over. Paul Manz's celebrated setting from 1975 perfectly encapsulates the fervent spirit of this venerable text: Bold. Rousing. Enlivening.

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